Gina Czarnecki’s career to date encompasses film and installation, with an emphasis on human relationships to image, disease, evolution, genetic research and specialising in advanced technologies of image production. 

Created in collaboration with biotechnologists, computer programmers, dancers and sound artists, Czarnecki’s projects confront issues surrounding the convergence of biology and technology, and the possible corruption of the human genetic mix.

Her works raise real and relevant questions about developments in the ‘life’ sciences and changes in culture, society and language. Through sampling, generating and re-processing image and sound, she creates contemplative spaces with strong visual aesthetics.